This year I read Truman Capote’s In Cold Blood (Penguin) for the first time its steady, intricate unfolding is extraordinary. Finally, BEYOND THE THRESHOLD (dpr-barcelona), Zaida Muxi Martinez’s history of the women whose contributions to architecture and urban planning have been suppressed, reminds us that other ways of imagining society have always existed, but we have chosen not to listen. Caroline Walker’s monograph JANET (Anomie), with an essay from critic Hettie Judah, is a visual exploration of this theme, depicting the artist’s mother at her invisible work in the home. The public conversation about unpaid and poorly paid carework has faltered post-Covid, but both Edouard Louis’s A WOMAN’S BATTLES AND TRANSFORMATIONS (Penguin Random House), his account of his mother’s life under poverty and patriarchy, and Lynne Tillman’s MOTHERCARE (Soft Skull), about caring for her elderly mother while navigating the American healthcare system, should serve to remind, as does feminist theorist Nancy Fraser in CANNIBAL CAPITALISM (Verso), that capitalism remains a guzzler of care, and this is an unsustainable position. With your help, we’ll be able to continue championing new writing and art into 2023 and beyond.

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Broken ghost niall griffiths